1. 一张照片就像一个句子，而你的目的是写一本书。
2. 扫街时一定别忘说“谢谢”
3. 用心去拍，而不是仅仅用眼睛
4. 和朋友一起出去扫街，你会感觉舒服很多
5. 最通用的镜头焦距是35mm
6. 别依赖自动对焦，要运用超焦距
7. 扫街之前喝点酒，放松自己
8. 你的照片至少要备份三份。所有的硬盘早晚都要完蛋的。
9. 如果你拍胶片，照片的分类存档很重要
10. 最佳的批评评论不再网上，而是面对面（？）
11. 不要问别人喜欢你照片的什么地方，而是要问人家不喜欢什么地方
12. 一个相机一个镜头，上帝的赐福
13. 多买书，而不是设备
14. 风格与审美无关（？）
15. 拍与你类似的人（？）
16. 驾驭多人画面的力量
17. 致力于画面所传递的信息，而不是美学价值
18. 拍胶片有一种魔力
19. 不要立刻把照片贴到网上，酿上一个星期在拿出来
20. 一个好的摄影项目往往需要至少一年来完成
21. 后期处理以每张照片不超过一分钟为宜
22. 照片打印的大一些，你的满足感会得到很大提升
23. 与朋友和他人共享你的经验和技能，别独吞
24. 每天拍10分钟比一星期拍一次10个小时强
25. 只让人看你最好的作品
26. 一个组照如果超过25张照片，看起来会很累
27. 不断地探索实验你的技能、设备。一旦发现某个方法很好使，就应该反复使用、巩固之
28. 如果不敢确定的话，还是先问问可不可以拍为好
29. 人们在街上往往乐于听到表扬
30. 别拍那些正沮丧生气或者走的特别快的人。否则可能会惹他们发火。
31. 拍数码一定要拍生鱼片（RAW）
32. 从其他艺术形式中得到启发
33. 拍人的脸，而不是背 （这一条老甲可能要补充 ）
34. 眼睛是心灵的窗户，注意抓眼神
35. 你的片子水平与你所接触的片子水平关系很大。不要只是在网上看来看去，要看摄影书
36. 建设性地批评别人的片子，对评价自己的片子很有帮助
37. 罗伯特-克帕说“如果你的片子不够棒，那是因为你离的太远。”
38. 一天拍下来，如果能有一两张好片子，那就是幸运了。
39. 在网上泡的时间越长，拍片子的时间就越少。
40. 拍的时候别想太多，避免书呆
41.扫街时别老查看显示器，这样你会丧失很多拍摄机会
42. 森内卡说“幸运是有备而来和机遇的结合”
43. 扫街的时候多拍一会，你会更“幸运”
44. 别指望后期裁剪，在相机里就把它搞定
45. 寻找光线
46. 最不可能的地方可能会出最好的片子
47. 到哪都别忘了带相机，千万！
48. 相机越小，你就越不会显得尴尬
49.
102 Things I Have Learned About Street Photography by Eric Kim on February 27, 2012
It now has been around 5 years that I have been shooting street photography- and I have learned an incredible amount through trial and failure. I made this recent list of things I have learned while shooting street photography– and some of my personal opinions. Remember, take everything in this list with a grain of salt! I simply made this list as both a way for me to self-reflect, and hopefully you can find some of these tips helpful.
You can also see my old posts, “101 Things I Have Learned About Street Photography” and “100 Things I Have Learned About Street Photography“. As you can see, many of my opinions have changed over the course of 2 years. Keep reading- I hope you enjoy!
1. A photograph is like a sentence. Aim to write a book.
2. Always smile and say “thank you” when shooting on the streets
3. Shoot with your heart, not with your eyes
4. Shooting with friends will make you feel much more comfortable on the streets
5. The most versatile focal length is 35mm
6. Don’t rely on autofocus – use zone focusing
7. Have a drink to loosen yourself up before shooting on the streets
8. Have at least 3 backups of all your photographs (hard drives all eventually fail)
9. If you shoot film, keep your images organized
10. The best critique is never online—always in-person
11. Don’t ask people what they like about your photographs, ask them what they don’t like
12. Having one camera and lens is bliss
13. Buy books, not gear
14. Style isn’t something aesthetic
15. “Shoot who you are” – Bruce Gilden
16. Harness the power of groups/collectives to spread your photography
17. Don’t focus on aesthetics in your photos—but rather the message
18. Shooting film is magical
19. Never upload your photographs immediately—let them marinate for at least a week before sharing them
20. Good projects often take at least a year to complete
21. Post-processing your images digitally should never take more than a minute
22. Printing your photographs out large is immensely satisfying
23. Share your knowledge & technique with others – never hoard it yourself
24. It is better to shoot everyday for 10 minutes than to shoot once a week for 10 hours
25. Only show your best work
26. Photo-sets with over 25 images are exhausting to look through
27. It is great to constantly experiment with your technique and gear—but once you find something that works reasonably well stop and stick with it
28. When in doubt, ask for permission
29. People love to be complimented while on the streets
30. Don’t take photos of people who look pissed off or walk extremely quickly. These are the people who often get upset when you take their photograph
31. If shooting digital, always shoot in RAW
32. Look at other forms of art for inspiration
33. Take photos of people’s faces, not their backs
34. Eyes are the windows to the soul. Get photos with eye-contact in your images.
35. Your photos are only as good as the photos you look at. Avoid the internet and look at photo-books for inspiration
36. Giving helpful critique to others will make you a better judge of your own work
37. “If your photos aren’t good enough, you’re not close enough” – Robert Capa
38. After a whole day of shooting, I am lucky if I get 1-2 good photographs
39. The more time you spend on online forums, the less you will shoot
40. Don’t think too much while taking photographs. Avoid “paralysis by analysis”
41. Don’t chimp while shooting on the streets (checking your LCD screen). You will lose many decisive moments
42. “Luck is when preparation meets opportunity” – Seneca
43. You can get luckier in street photography by spending more time out shooting in the streets
44. Don’t crop. Get it right in-camera
45. Look for the light
46. You will take the best photographs in the least-likely places
47. Always carry your camera with you everywhere you go. Everywhere
48. The smaller your camera is the less intimidating you will look
49. Don’t shoot from the hip if you have a camera with a viewfinder. Use the viewfinder—that’s why it’s there
50. Good composition alone doesn’t make a good photograph. A great photograph needs soul.
51. Don’t let inspiration be your main source of motivation for shooting. Go out and shoot even when you don’t feel like it—and the streets will re-inspire you
52. Street photography doesn’t have to have people in it
53. “Creepiness is proportional to focal length”. Don’t shoot street photography with a telephoto/zoom lens
54. The best place to shoot street photography is your own backyard
55. Crouch often when shooting to get at least eye-level (or lower) to get a natural (or unusual perspective)
56. The lighter your camera bag, the more you will enjoy shooting
57. Don’t forget to look down and up when shooting
58. When in doubt, click
59. Don’t try to just take photos of interesting people, but try to take photos of interesting gestures
60. It is better to take an extraordinary photo of something ordinary, rather than taking an ordinary photo of something extraordinary
61. The way people react to street photography (all around the world) is often more similar than dissimilar
62. There is no perfect camera for street photography. Every camera has its own strengths/limitations
63. Learn to memorize a focal length so you can frame your shots before even bringing up your camera to your eye
64. The best combo: one camera and one lens
65. Focus on hands – they communicate strong messages to the viewer
66. Contrary to popular belief, most people don’t get pissed off when you take photos of them (most people actually quite like it)
67. Street photographs are well-balanced with an odd-number of subjects (1 person, 3 people, 5 people, etc)
68. “Realize that most of your photographs are crap” – Charlie Kirk
69. Shoot to please yourself, not others
70. The best response to internet trolls who criticize your work (without helpful critique) is to ignore them completely
71. If you have the opportunity, don’t just settle for one photograph. Take multiple photographs if possible. “Killers shoot twice” – Thomas Leuthard
72. If you don’t ask for critiques, nobody will ever give it to you
73. If you are going to ask someone for permission for a photograph, always preface your question with, “I know this may sound weird, but…”. Works like a charm.
74. If you don’t make time to go out and shoot, you will never go out and shoot.
75. Learn to judge distances well- so you can prefocus before you anticipate the shot (1.2 meters is roughly two arms-lengths, and 3 meters is roughly half the distance of a room)
76. Spend less time arguing over the definition of street photography, and go out and shoot more
77. You only remember 5-10 photographs from some of the most famous street photographers who have ever lived. Aim to take 5-10 great photographs before you die.
78. Photography is incredibly difficult
79. If people notice you taking a photograph of you, tell them, “Ignore me—pretend like you don’t see me” and most people will laugh it off and continue doing what they were doing
80. If confronted by a person on why you took their photograph, take a step toward them and be open and honest about your intentions. Stand your ground and know your rights.
81. Simplify your photographs. Less is more.
82. Don’t put watermarks on your photographs. It cheapens your work.
83. Street photographs don’t sell
84. Travel as often as you can to open up your views to the rest of the world and society
85. Always carry an extra memory card and battery (in war two is one and one is none)
86. Don’t always hunt for shots—if you are patient enough, they will come to you
87. Shoot at ISO 1600 or above (keep your shutter above 250ths/second)
88. f/8 and be there
89. Black cameras draw less attention to you
90. It is more interesting to take photos of rich people than poor people
91. Never delete any of your photographs (you can rediscover hidden gems later in the future)
92. Silver Efex Pro 2 is the best black and white conversion software for digital
93. “You miss 100% of the shots you don’t take” – Wayne Gretsky
94. Don’t aim to take pretty photographs, aim to take meaningful photographs
95. Don’t be sneaky when shooting—you will get in twice as much trouble if you get caught
96. A great street photograph both has strong composition and story
97. When it comes down to it, composition isn’t as important as the story
98. 99.9% of the photographs online are crap
99. Love your critics
100.Offer to email your subjects their photographs (they love it)
101.Break the rules
102.Make your own list |
