胶卷那些事儿（存档篇）

不道

[转自WIKI]

Fujichrome color reversal (slide) films.
Velvia: one of the most saturated and fine-grained slide films, valued by nature and landscape photographers.
Provia: a slide film giving more natural colors than Velvia.
Astia: a fined grained, low contrast slide film often used for studio or portrait applications.
Sensia: a low-contrast consumer slide film; the current emulsion is considered to be identical or near-identical to Astia in the professional line.
Fortia: consumer slide film, featuring extremely vivid color rendering suitable for flower photography and other high-saturation applications (for Japanese market).

Fujicolor color negative (print) films.
Fujicolor Pro 160S, 160C, 400H, and 800Z (formerly NPS, NPC, NPH, and NPZ): Professional films with different levels of contrast.
Reala: the first film to use the fourth cyan-sensitive layer, currently sold under Superia Reala name.
Superia: as of 2005, their most widely available film, intended for snapshots.
Press: Cut from the same emulsion stock as Superia, but cold stored and sold as a professional film.

Fuji Neopan Professional black & white negative film. As a side note, Neopan 400 and 1600 were designed to use the same developing times, and can be developed in the same tank/machine and developer combination simultaneously. ACROS and SS do not share this feature.
Neopan SS: ISO 100 film, most common and least expensive Neopan film
Neopan ACROS: ISO 100 film, finer grain than SS but usually more expensive
Neopan Presto: ISO 400 speed film
Neopan Super Presto: ISO 1600 for low-light shooting or fast action

不道

[转自WIKI]

Kodak is one of the leading manufacturers of still film:

Kodachrome - colour slide film using unique proprietary technology. Discontinued in 2009
Ektachrome - colour slide film suitable for normal E-6 processing. Consumer variants of this product are branded as Kodak Elite Chrome.

Ektar - semi-professional colour negative film
Portra - professional color negative film designed for portraiture, with controlled colour balance, previouly available at 160 and 400 ISO in "natural" and "vivid" colour varieties but replaced in 2011 with single upgraded 160 and 400 variants as well an ISO 800 Portra film. Portra films are available in 35mm, 120/220 and sheet formats. Previouly a tungsten balanced ISO 100 verion was sold as well.
Ultra Color - color negative film in 100 and 400 ASA (discontinued in 2006)
Elite Colour - color negative film in 35mm format but based on improved emulsions developed for the APS format. Various speeds including high-speed

T-MAX - professional B&W negative film, using a technology called "tabular grain" or T-grain, available in a wide range of speeds, including 3200 ASA intended for photojournalism
Tri-X - older, relatively fast (320-400 ASA) B&W negative film with different grain characteristics, based on classic "cubical" grain. The premier photojournalism film for many decades, it is still widely available
Plus-X - B&W slow (125 ASA) negative film with finer grain (no longer available in 120).
HIE - a professional, infrared-sensitive B&W film, used for taking pictures through a dark (IR-Pass) filter. It is coated onto a thin Estar base, and lacks an anti-halo layer. It has been discontinued as of May 2007.
Technical Pan - a very slow (not rated by Kodak, but generally established as 16-25 ASA) , very fine grain professional B&W film particularly aimed at architectural, engineering and scientific photography of very high contrast if developed in conventional developer but normal contrast if developed in the matched Technidol developer. As of 2004 is has been discontinued

BW400CN - B&W negative film that can be processed using the C-41 process

E100G, E100GX (discontinued) E100VS, and E200 (discontinued 2011) - professional colour slide films available in 35mm, 120 and sheet format.

Kodacolor-branded color negative films and their non-Kodacolor-branded successors:
Kodak Gold (formerly Kodacolor Gold) and Kodak Gold MAX/Ultra (depending on country) - consumer colour negative film, "MAX" indicates the coarser-grained, general-purpose variety. The rest of consumer films are marketed by use rather than trade names (e.g. "Bright Sun&Flash", "High Definition"...)

不道

[ZT 2003]

1。Fuji Velvia （RVP）：色彩鲜艳著称，曝光有一定的宽容度，颗粒极细，适合照春、夏季的风光，层次极为丰富。就是感光度为50，经常要用三脚架来保证效果，而且有人反映感光度还不足50，应是40-45左右，见仁见智，并无定论；售价应在43-45元左右；

2。Fuji Provia （RDP III）：以颗粒最细著称，超过目前任何一种胶卷。反差中等，色彩绝无夸张，能真实还原本来色彩，其中青色略突出，红黄色表现略逊。适合拍摄冬季雪景、室内场景以及其它没有大红大绿渲染的画面；售价在38-41元左右；

3。Fuji Rela 100 专业负片。类似Velvia 的风格，还原 MM 皮肤的颜色最为自然，是目前负片中的佼佼者，但是不适于作新闻采访用；售价在26-29元左右；

4。Fuji SUPERIA 400 彩色负片（包括800），比柯达同级产品颗粒细得多，适于多种用途，不宜重复。

再具体介绍一下常用的富士胶卷：

说明：RMS =root mean square，为评估底片粒子性的客观量度，已用ANSI标准来作精确定义。RMS数字越小，表示颗粒性越佳（越细微）。

1。Fujichrome Velvia RVP 性能——

颗粒性：超细微； 饱和度：超高； 反差：高； 宽容度：窄；RMS = 9；

特点：专业片，颗粒特别幼细，色彩饱和鲜艳，清晰度高、层次丰富真实。适合于风景摄影及商业摄影，可以增感至ISO100度。

1990/1991年度荣获ELSA最佳反转片大奖。

2。Fujichrome Astia RAP 性能——

颗粒性：细微； 饱和度：高； 反差：中度； 宽容度：寬；RMS=10；

特点：超级真实色彩还原，优秀的灰阶平衡。优良的增/减感能力；对不同色温下的色彩偏差极小，特别是对肤色、细致色调有最真实生动的描写。适用于商业广告、时装、人像拍摄。

1997/1998年度荣获TIPA最佳反转片大奖。

3。Fujichrome Provia 100F RDP III 性能——

颗粒性：超细微； 饱和度：超高； 反差：中度； 宽容度：寬； RMS=8；

特点：属于多功能ISO/100标准彩色反转专业片，采用超细西格马晶体技术，颗粒性达到极细程度，影像清晰，色彩还原度高、层次丰富真实，具有杰出的增感性能，适合风景摄影、产品摄影、运动、时装摄影、各种商业摄影以及一般户外拍摄。

可以增感拍摄。

4。Fujichrome Provia 400 RHP 性能——

颗粒性：细微级； 饱和度：高； 反差：中度； 宽容度：寬；RMS =15；

特点：专业片，具有鲜明、逼真的色彩还原；采用超幼细(西格马)晶体技术，颗粒更幼细，突出的长时间曝光特性，曝光时间在4分钟以内，倒易律失效不明显；可增感至1600度，特别适合拍摄体育活动、舞台表演及弱光下的景物。

还有一个特点就是价格比以上几种反转片都要贵，最低也要在60元以上。

土城

那么多外国字，看不懂嘛。俺们老粗，不像你们会好几国英语

不道

那么多外国字，看不懂嘛。俺们老粗，不像你们会好几国英语
土城 发表于 2011-10-5 01:11

哈哈，看不懂还好办，GOOGLE一下就可以了，去了店里说不清楚才冒汗呢 。。。

新满人

哈哈，看不懂还好办，GOOGLE一下就可以了，去了店里说不清楚才冒汗呢 。。。

...
不道 发表于 2011-10-4 12:25

    她姨不出汗！

新满人

怎么没有AGFA等欧洲的品牌？   据说俄罗斯的也很生猛。

新满人

我有个医生（心脏科）有一批过期胶卷。估计用那个来搞不可预测的活动更合适。

bakula

怎么没有AGFA等欧洲的品牌？   据说俄罗斯的也很生猛。
新满人 发表于 2011-10-4 20:05

爱克发死了，还有依尔福。。。不道没来得及贴呢

不道

[转自WIKI]

Ilford

Film
Some Ilford black-and-white filmsPan F plus 50
FP4 plus 125
HP5 plus 400
Delta 100, 400, and 3200
XP2 Super 400
SFX 200
Ilford PAN 100 and 400 (consumer grade, on selected markets)

不道

乐凯是不是也歇菜了？

bakula

乐凯是不是也歇菜了？
不道 发表于 2011-10-4 20:24

好像末油

不道

有人拍过120正片么？

bakula

有人拍过120正片么？
不道 发表于 2011-10-4 20:44

这话问的，当然啦，就是拍得不好

不道

这话问的，当然啦，就是拍得不好
bakula 发表于 2011-10-5 03:46

和负片比，在技术上有什么特殊要求么？